The mainstream's creeping assimilation of subversive urban culture is certain to go on, but perhaps in 2014 we might at least make our appropriation of urban style and music a little more heartfelt. After listening to the following selection of Bay Area hip-hop tracks, you should be able to string together a rudimentary conversation about the sub-genre, just in case somebody decides to ask why you're wearing an Oakland Raiders jersey and a HUF five-panel.
Repping Oak-town |
All cynicism aside, the Bay Area, centred around San Francisco and Oakland, has fostered one of America's most distinctive scenes. Bay Area rappers, often overlooked outside of Northern California, have carved their own niche within hip-hop, with often-eccentric MCs delivering the local slang over snappy beats and flamboyant samples. These five tracks are just the tip of the iceberg.
1. I.M.P. - Frisco
This influential posse cut, which features Bay Area stalwarts Young Cellski and Andre Nickatina, serves as an ideal excellent introduction to San Francisco: both its geography and its slang. The notorious boroughs of Lakeview and Hunter's Point "HP" are shouted out, and smoking "chewy" (cannabis sprinkled with cocaine) is discussed at length.
The track is built around a crunching up-tempo drum beat, and a menacing, G-funk synth. The lyrics are sharp too, as Young Cellski proposes to listener: "you can be the baseball, I can be the batter". Bonus points are also earned for the song's inclusion in not one but two famous Bay Area-centric skate parts, as well as the single's fantastic cover art.
2. RBL Posse - Don't Give Me No Bammer Weed
This track from 1994's outstanding A Lesson To Be Learned, edges out The Luniz's crossover hit 'I Got 5 On It' as the Bay Area's finest drug anthem on account of the RBL Posse's more discerning attitude to weed. The rather confusingly-named duo of Black C and Mr. Cee encourage the listener to reject 'bammer' (bad) weed in favour of 'dank', recounting their personal experiences of both strains as supporting evidence.
Powered by a beguiling drum loop, the two MCs overlap brilliantly on a track which became a cult hit in the Bay, and was even sampled on Dre Dog's 'Smoke Dope and Rap'. A group who could combine rich beats with intricate wordplay, RBL struggled to maintain their high standards after Mr. Cee was murdered in 1996.
3. Keak Da Sneak - Super Hyphy
While RBL's 'Bammer Weed' tells the listener that "dank ain't medicine, but it'll ease the pain", Super Hyphy could be deployed by the anti-drugs lobby as a warning of the perils of "smoking purp and sippin' Yac", with Keak Da Sneak's voice so raspy that his lyrics are almost unintelligible on first listen. This 2005 hit, however, is a strangely compelling song, as Keak complains of other rappers stealing his slang.
The track is perhaps the finest example of the more club-orientated "hyphy" movement, which originated in the Bay Area and enjoyed brief popularity in the mid-2000s. Now largely forgotten, the sub-genre's most relevant recent appearance came when Messy Marv's 'Get On My Hype' soundtracked the house party scene in the above-average Ryan Gosling vehicle The Place Beyond The Pines.
The track is perhaps the finest example of the more club-orientated "hyphy" movement, which originated in the Bay Area and enjoyed brief popularity in the mid-2000s. Now largely forgotten, the sub-genre's most relevant recent appearance came when Messy Marv's 'Get On My Hype' soundtracked the house party scene in the above-average Ryan Gosling vehicle The Place Beyond The Pines.
4. Mac Dre - Too Hard (Young Black Brotha)
The pimpster aesthetic has long been popular in the Bay Area (just ask Dru Down), with Vallejo's Mac Dre and Oakland's Too $hort the most successful exponents of the style. Out of Mac Dre and Too $hort, Dre is the more flamboyant and charismatic, while $hort is the foulmouthed, dead-eyed, screw-faced one who would probably be more effective as a real-life pimp.
This track, which was Dre's break-out hit in 1989, sees the energetic rapper on boastful form as he claims to be "making much more than a minimum wage" and staying "full of the Hennessy". It marked the beginning of a fine career, as Dre would remain a prolific and popular figure in the Bay Area hip-hop scene until his tragic death in 2004, despite a four-year spell behind bars after an armed robbery conviction in 1993.
5. Saafir - Light Sleeper
Together with Souls of Mischief, Oakland MC Saafir is proof that rappers from the Bay Area can be thoughtful as well as fun. 'Light Sleeper', taken from 1994's unfairly overlooked Boxcar Sessions album, sees Saafir discuss his multiple personalities over a slurring beat and discordant scratching. The rapper's verses are loaded with double entendres, and his self-conscious lyricism recalls A Tribe Called Quest when he admits "I'm dope... I'm arrogant and outspoken".
Saafir's case for inclusion is further strengthened by his part in one of the greatest West Coast rap battles, when he faced off with fellow Oakland native Casual and his Hieroglyphics crew over unreciprocated features.
Saafir's case for inclusion is further strengthened by his part in one of the greatest West Coast rap battles, when he faced off with fellow Oakland native Casual and his Hieroglyphics crew over unreciprocated features.